Yu is researching with Dr. Vladimir Valjarevic at Mason Gross School of the Arts at Rutgers University. Ms.
Liu and Mr. Yu had been graduated from the Mannes School of Audio in New York City where by they every reached the Master of Tunes diploma underneath the tutelage of Mme. Pavlina Dokovska.
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They are married and have performed duos with each other since 2016. For total disclosure, this reviewer was out of New York for the concert so could not attend, but a movie recording of the are living functionality was delivered. Ms.
Liu opened the program with music by a few woman composers, Clara Schumann, Amy Beach front, and Cecile Chaminade. To start with came Clara Schumann’s Soirées Musicales , Op. myassignmenthelp fake The songs is a set of 6 pieces whole of craving and youthful dreaming, from which Ms. Liu chose a few, starting with the Nocturne , continuing with the Mazurka in G small, and ending with the Toccatina (which at first opens the established).
Ms. Liu unveiled sensitive shading general via the Nocturne , a aptitude for improvisatory whimsy in the Mazurka , and just the proper urgency in the impassioned Toccatina . Dreaming , Op. Liu took a substantial meditative pause beforehand.
Her unhurried solution suited this miniature just right, affording her time to lavish its lyrical traces with care. Cecile Chaminade’s bristling Toccata, Op. The next phase identified Wenting Yu introducing his portion of the program, including 3 Preludes of Claude Debussy, Voiles (Veils), Ce qu’a vu le vent d’ouest (What the West Wind Saw), and Feux d’artifice (Fireworks). Mr.
Yu probed the magic of Voiles beautifully, with each and every depth in put. Like Ms. Liu, he plainly revels in a significant assortment of sonorities. His Ce qu’a vu le vent d’ouest was fittingly stormy, and Feux d’artifice benefited from his precise touch and management at large speed. The Étude , Op.
The actuality that it is an octave review seemed insignificant, as its worries have been taken care of with aplomb – shut in mastery to that of the composer’s spouse, pianist Gaby Casadesus, whose recorded rendition set the conventional. The rapidfire Étude Op. Yu’s solo team brilliantly.
If this reviewer recalls the right way, this Toccata was a expected piece many a long time ago for the Cleveland Worldwide Piano Competitors when the levels of competition even now bore the name of Casadesus. It is so especially refreshing to hear this operate just take its rightful location on a phase with out any taint of duress. Mr. Yu is to be recommended for discovering this lesser-acknowledged repertoire, and for performing so expertly – as is Ms. Liu with her alternatives by females composers. The 2nd 50 percent of this live performance featured the two pianists as a four-hand workforce in a tantalizing array of preparations of orchestral functions by Rachmaninoff and Debussy.
To start off came one penned by Wladimir Wilschau of the next and third actions of Rachmaninoff’s superb Symphony No. Devotees of the orchestral primary might balk at the notion of these kinds of grandeur currently being “minimized” to the realm of four-hand piano crafting, but doubters will love a threefold epiphany. Very first of all, Wilschau’s is an exceptional arrangement, which has merely remained in relative obscurity since its publication in 1910. Secondly, the tonal palette offered to two very qualified pianists on a single piano can be a lot greater than quite a few picture.